Bob Clearmountain on Apogee's Twitter

Apogee Twitter Takeover with Bob Clearmountain

Daddy Kev

Daddy Kev – Mastering with Symphony I/O

By Apogee’s Nick Trikakis

BC adjusting 52

How to record drums with two microphones and Duet 2

by Apogee’s Chris Lawson

When it came time to add music to the Duet 2 launch video, I asked Jingle Punks to write it.

JP in action

Writing a song for the Apogee Duet 2 video

by Apogee’s Chris Lawson

Just about anyone who produces video will tell you that audio plays a major role in great video production, and if the audio is bad, you will lose your audience.


How to set up an A/B test with Symphony I/O, Avid I/O, a Lynx Aurora and a 192

by Engineer & Producer John Paterno


Ask the Experts: Berklee College of Music Professor Andrea Pejrolo Answers Your Questions


Ask the Experts: Remixer & Electronic Music Producer Vincent di Pasquale Answers Your Questions


From Demo to Final Mix- “The Preacher’s Kid” Soundtrack Recorded with the Apogee ONE

by Singer/Songwriter Lisa Simmons

Avant Garde Sound Designer Diego Stocco Uses His Apogee ONE To Record ‘Dustland’


How to Record a Live Band in Small Spaces

By Engineer Kevin Harp


Photo Diary: Recording On the Road with the Goo Goo Dolls



Ask the Experts: Pantera’s Producer & Engineer Sterling Winfield Answers Your Questions


Ask the Experts: Film/TV & Video Game Composer Robert Navarro Answers Your Questions on Recording Guitar


Ask the Experts: Grammy Winning Recording Engineer Miles Walker Answers Your Questions

Vaughan Merrick

The Recording Process with Vaughan Merrick

by Vaughan Merrick, whose engineering and production credits include Amy Winehouse, Mark Ronson, Depeche Mode, Santigold, Miike Snow, and many more. He is a Grammy Nominated Engineer for Jason Mraz’s “Mr. A-Z” and a Grammy Winner for Amy Winehouse’s “Back to Black” Record of the Year and Female Pop Vocalist. Vaughan is the owner of an Apogee Symphony System with AD/DA-16Xs and a Duet.


How to use the Apogee GiO with Waves GTR live on stage

by String Arranger/Composer, Producer and Musician Christine Wu


How to induce chills with your music

by Yale Fox, NYC-based researcher and DJ/Producer


Performing live in a tight space

by Singer/Songwriter/Producer John Forté

How to mic and record a band using the Apogee ONE and Logic

by Apogee’s Chris Lawson


How To Write a Hit Song: 5 Short and Sweet Tips

by Hit Songwriter and Record Producer Steve Kipner


Using Apogee’s Duet live with Yeah Yeah Yeahs

by David Pajo (bass/keyboards with Yeah Yeah Yeahs, currently bass with Interpol)


Recording Gear for the Creative Process with Trivium’s Matt Heafy

by Matt Heafy, Lead vocalist and guitarist of Trivium


The world’s most compact mobile recording studio

by Eric Gardner, Touring Musician with Gnarls Barkley, Street Sweeper Social Club, and Charlotte Gainsbourg


How to use phase to find proper balance

by Lucas Van Der Mee,
Sr. Design Engineer at Apogee


Performing live with the Apogee GiO and MainStage

By Peter Gregson


Q&A with Trivium’s Bassist Paolo Gregoletto

How to record audio for DSLR video

by Apogee’s Chris Lawson


Diego Stocco Records “Imaginary Hummingbirds” Entirely with the Apogee ONE


How to multitrack cello

Post by Composer Peter Gregson


How to Write a Hit Song

with Producer, Songwriter & Hit-Maker Wayne Wilkins


How to prevent clicks, pops, and distortion in your audio recordings

By Apogee’s Chris Lawson


How To Record: The M-S (Mid-Side) Stereo Microphone Technique

By Bob Clearmountain


How To Remix a Song with Steve Aoki

How to compose for TV and Film with Michael Levine, Pt.2

How to compose for TV and Film with Michael Levine, Pt. 1

How to record jazz with Bob Clearmountain

When Apogee opted to throw its annual NAMM party at the Jazz Kitchen in Anaheim, California, no one expected a band as fantastic as Kenny Sara and the Sounds of New Orleans. Far from a typical house band, the group took the stage in front of a few hundred producers, musicians and sound engineers – just a slightly daunting task- and blew everyone away. Bob Clearmountain was so blown away in fact that he invited the jazz band to record at his and Betty Bennett’s privately-owned Berkeley Street Studios in Santa Monica.

How to record a band using Logic and an Apogee Ensemble

By Apogee’s Roger Robindore

How to record a song using GarageBand and an Apogee ONE


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